“La La Land,” which was very well-received at the Telluride Film Festival, has recently received some Best Film awards. Director Damien Chazelle (“Whiplash”) continues his unique use of music with a contemporary film musical. He also wrote the screenplay. Chazelle’s film shows the influence of classic MGM musicals like “The Band Wagon”. It also has the bright colors of “The Umbrella of Cherbourg” and the emotional conflicts of a musician as in “New York, New York”.
The film begins with a terrific and energetic large scale musical number set during a Los Angeles freeway morning traffic jam. “La La Land” centers on Mia, a would-be actress (a charismatic Emma Stone) and Sebastian, an uncompromising jazz pianist, (Ryan Gosling). As in other movies, after some hostile introductions, an attraction develops between the two.
Stone and Gosling who have worked together before have a strong on-screen chemistry and bring deep feeling to their characterizations. Stone is a better singer than Gosling. Mia keeps hoping for her big break while Sebastian struggles to continue to play the kind of music he loves, a jazz he’s told is dying. John Legend plays a musician friend of Sebastian.
Chazelle is far more inventive in the elaborate song and dance scenes than with the with the predictable and often derivative screenplay that follows a lot of film conventions like the struggling heroine who shares an unbelievably large and colorful apartment with her room-mates, big enough for an spirited musical number that leads up to a lively party scene.
The clever and varied songs were composed by Justin Hurwitz with lyrics by Benj Pasek and Justin Paul. Chazelle is effective in staging the charming and more intimate musical numbers between Stone and Gosling, including a magical sequence set in the Griffith Observatory planetarium that reflects the characters’ soaring emotions.
The film ends with a clever, extremely well-edited sequence, finishing the film on a note of poignancy.
Damien Chazelle and Emma Stone participated in an outdoor panel at Telluride. Chazelle discussed using storyboard in planning the complicated musical numbers.