“Wonderstruck” was shown at the Telluride Film Festival as part of a Tribute to its cinematographer Ed Lachman. Like other collaborations of Lachman with the film’s director Todd Haynes, “Far from Heaven” (2002) and “Carol” (2015), “Wonderstruck”, one of the finest selections at Telluride, has a distinctive period look.
The film is based on the novel by Brian Selznick, who wrote the screenplay. Another Selznick work was also the source of Martin Scorsese’s “Hugo”. “Wonderstruck” intercuts compelling stories of 2 hearing-impaired 12 year-olds in different eras and their personal quests in New York City. For each sequence, the film impressively recreates the style of films of the era.
In 1977 Minnesota, Ben (Oaks Fegley) has been orphaned after his mother (Michelle Williams in flashbacks) died in a car accident. Ben’s mother had never responded to his questions about the identity of his father. Ben loses his hearing after being struck by lightning. Among his mother’s things, he comes across a book and the address of a book store in New York City. Ben secretly travels to New York City, hoping his findings will offer clues to his father.
In 1927, Rose (Millicent Simmonds) a deaf girl, leaves New Jersey to find a famous actress (Julianne Moore). Her section of the film is in the style of a black & white silent.
Ben’s story, particularly In New York City, has the deep color of 1970s films, emphasizing the intensity of the change in Ben’s environment.
Both Rose and Ben will discover the Museum of Natural History. Ben’s search is aided by Jamie (Jaden Michael) whose father works at the Museum. The film captures the wonderment and adventure of new discoveries.
Todd Haynes has made “Wonderstruck” with a deep sensitivity to the emotions of the youthful characters. Julianne Moore portrays a different character in the modern section who connects the two stories. The young actors give notable performances as do Moore (Haynes’ “Safe” and “Far From Heaven”) and the adult cast.
“Wonderstruck” continues Haynes’ interest in the search for connection and affection. The film ends at the location of the 1965 Words Fair as characters poignantly deal with memory and loss.