“Loving Vincent” is uniquely remarkable. 125 artists animated Vincent Van Gogh’s oil paintings. Before a screening at the Telluride Film Festival, the film’s directors, married couple Dorota Kobiela and Hugh Welchman discussed what Welchman called his wife’s “crazy ambition”. Kobiela said she realized that her original plan of doing all of the animation herself would take 80 years.
Kobiela said she was drawn to Van Gogh because his history showed her that you can choose paths in life when grown up. Van Gogh’s first painting was at age 28.
The film contains stunningly beautiful images of Van Gogh’s masterworks animated. I told Welchman I was very impressed that Van Gogh’s thick brush strokes came through in the animation. The film is a must for admirers of the artist to see on the big screen.
The film begins in 1891, one year after Van Gogh’s death and tells the intriguing story of a postman’s son attempting to deliver the artist’s last letter. Actors portraying characters familiar from the artist’s works were filmed and then animated into paintings.
Postman Joseph Roulin (Chris O’Dowd), painted several times by the artist, wonders “How does a man go from being absolutely calm to suicidal in six weeks?” He asks his son Armand (Douglas Booth) to deliver the letter to Vincent’s brother. Armand reluctantly agrees.
The film becomes extremely compelling, as Armand finds conflicting information on Van Gogh’s final days and his mental state. Flashbacks showing Vincent (Robert Gulaczyk) are in black and white. Armand meets Dr. Gachet (Jerome Flynn), one of Van Gogh’s most recognized subjects, who treated the artist and the doctor’s daughter (Saorise Ronan) who said Van Gogh was “happy here.”
At an outdoor panel, the film’s directors said that 65,000 frames were hand-painted during a 7 year process. Welchman said that because of the unique style of “Loving Vincent”, the film has a conservative structure.
A new theory has developed about Van Gogh’s death that was incorporated into the film. Welchman said the act of suicide was unexpected since the artist had just sold a painting, had no fits at the time, and had stopped his heavy drinking. He added that the investigation of Van Gogh caused by the delivery of the letter was a good way into his life story.